Here's a great and hilarious review of Disney's live action car wreck Aladdin (2019).
And some clips:
"The director of the latest “Aladdin” is a middle-aged white Brit, Guy Ritchie, but the diversity of his cast is quite in keeping with the tangled roots of the tale. We have an African-American, Will Smith, as the Genie, and a Cairo-born Coptic Canadian, Mena Massoud, as Aladdin. Princess Jasmine, whom he woos, is played by Naomi Scott, whose Ugandan mother is of Gujarati Indian descent. Marwan Kenzari, a Dutch-Tunisian actor, takes the part of the dastardly vizier, Jafar. The show is deftly stolen, like a bracelet slipped from a wrist, by the Iranian-American Nasim Pedrad, famed for her impersonations on “Saturday Night Live,” which run all the way—and it’s a hell of a way—from Kim Kardashian to Christiane Amanpour. Here, Pedrad plays Jasmine’s handmaiden, Dalia, who, in an unprecedented twist, has a crush on the Genie. Good luck with that."
"Yet Ritchie has made significant alterations. First, he has modified the law of sultanic succession by giving women the right to rule. Second, by some cunning spell, he has taken all the fun from the earlier Disney film and—abracadabra!—made it disappear. The big musical numbers strain for pizzazz. The action sequences are a confounding rush, which is a grave drawback amid the alleys of the bazaar. And Jafar is about as frightening as the rug, though the fault, I’d suggest, lies less with the actor than with Disney, which is busy rebooting its cartoons with human performers and hoping that we won’t notice the difference. But the Jafar of 1992 derived his power from the ease with which he swelled and stretched, like a sort of evil taffy. Animation, in other words, became him. Ritchie tries to repeat the trick with C.G.I., to graceless and cumbersome effect."
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